I tried self-publishing back before it was cool thing to do. When ebooks were barely a blip on the radar and I knew less than nothing about writing/publishing or anything other than I want to be a writer when I grew up.
To put it bluntly, I was a dumbass. And by self-publishing my first novel I made sure the entire world knew it.
Now here I am seven years down the line, cringing with embarrassment because I paid to globally distribute that flaming piece of crap. Every once in a while I open the file and go, it can’t be that bad.
And then I see that yes, in fact it is that bad. It’s an overpriced, overwritten poorly plotted, badly edited, crappy cover wearing 110K word mystery full of angst and shallow childish dreams. A one way ticket to Sucksville, population me, myself and I. Hell, I don’t even want to reread it and see if it’s worth saving.
I swore up, down and sideways to anyone who would listen that I would NEVER self-publish anything again. Ever.
And then a strange thing happened. Five years later I’d learned stuff, not just about craft and how to write a good book, but about cover art design, writing blurbs and synopsis, proofreading and formatting. I’d made a sale to Kensington but I still had all these books, books that I loved that I wanted to share with the world but that just weren’t right for a specific line. Sexy mysteries and zany erotic romances that fit n no particular category. And before you could say, Chicka, what have you been smoking? I did it again. With my 2010 On the Far Side Contest Winner, Stellar Timing.
Not gonna lie, sales were slow at first, but within a month it had overtaken all of my small press ebooks as my personal bestseller. Why? Not because it was any better than my Laundry Hag books. No, it was price point, the fact that it was a $2.99 in a sea of $5.95 and up. As an indie e publisher I was free to experiment with promotions and cost and to pretty much do whatever the hell I wanted with it. Old cover not working? Slap up a new one! $2.99 not enough for months’ worth of writing? Break the books into a serial and charge per episode. The freedom is both overwhelming and exhilarating.
I found ways of bettering my product and even started up a small press with other writers. Sanibel Moon Books allows each of us to maintain our own imprint and release schedule but the final product is a collective effort. My latest release, In the Bedroom with the Rope sold over 5,000 units on Valentine’s Day weekend. That’s a damn good feeling.
What have I learned from this? That there are no absolutes in publishing, no always or onlys or nevers. If you latch onto them, you’re boxing yourself into a dark corner and denying yourself the chance to flourish. My indie experience went from being the smelly kid nobody wanted to sit next to, to having fans ask when the next one book is coming out. So I guess the moral to my twisted story is to get all the facts about whatever course of publishing you’re trying to pursue before you dive in head first. And never say never again, because hey, you never know.
Thank you for joining us today, Jenna!
You can find out more about Jenna (and Jennifer) and visit her social media haunts by checking out the links below.
A little fantasy goes a long way….
Born on Sanibel Island somewhere between the fifth and seventh bottle of Rosa Regale, Jenna McCormick writes big girl romance with a touch of out of this world fantasy. Her hobbies include scouring the Internet for the perfect pair of boots and stirring up trouble, much to the dismay of her alter ego. Her works to date include the futuristic erotic romance series No Limits, No Mercy, the post-Apocalyptic B Cubed trilogy, the contemporary BDSM serials Caught Up In You and In the Bedroom with the Rope as well as the novella Project Seduction in the Pleasure Project anthology coming in March of 2013.
Jenna loves to hear from her readers. Visit her on the web at www.authorjennamac.com.